Tuesday 3 April 2012

Harry's Evaluation

1. In what ways does your media product use, develop or challenge forms and conventions of real media products?


What are the normal common conventions of a thriller?

Enigma

Victims

Suspense


Antagonist

Protagonist

An Example of Protagonists and Antagonists would be:
Protagonist- V
Antagonist- Adam Susan






 In Our Production we wanted to raise a few questions:
Is Harry the True Antagonist?
Is Haydn really a victim?


Shot 1.
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We decided to have the first part of our title sequence at the beginning. It does not reveal the actual title but is intended to represent distributors such as Lionsgate. We chose the name of our college as a suitable alternative. We decided to keep things consistent and simple by using all lower case text in whit in a pitch black background. Its sets a dark mood and this is emphasised by accompaniment of a mysterious soundtrack which leads straight into the film and act like a sound bridge. We didn’t want a lot of emphasis on this part so by keeping things clean and plain the audience is set into the right mood. We are not aware of any threat yet.


Shot 2.
We start of the thriller with a shallow depth of field shot. Using this creates a form of mystery making the audience wonder what it is in the shot. Using a focus pull brings the audience into a real place and a real time. You can see that it is night time with all f the street lights and the dark sky. This setting alone feels far more threatening to those watching then a bright sunny day. The pan down introduces our first character. Who is He? Where has he been? Why is he in the film? Questions are raised which is normal in the opening of a thriller. The character doesn’t appear to be in danger and doesn’t seem to be feel uncomfortable where he is. The uneasy non-diegetic soundtrack ensures that he isn’t in a safe place. The soundtrack has no happy or quirky qualities to that and does keep the mood fairly tense. 

Shot 3.
This shot is the first shot where there is any suggesting of danger. It’s shot in a way that suggests that someone may be watching him. This imposes threat and Enigma which are both key to creating suspense in a thriller, very few thrillers don’t feature these key conventions. With the use of mise en scene we can see that the man is fairly well off. He is wearing smart clothes, his hair is well kept and he’s carrying a suitcase. He wouldn’t be placed as an antagonist so we would assume he might be a potential victim. We have started to make assumptions about the character a relate to him. The surrounding area is very dark which implies the danger can be anywhere, which increases the suspense. We fear for Haydn as we have no reason to think that he has done anything wrong. Despite the worry, we still know very little about the character. He’s still a bit of a mystery to the audience and this all leads to the penultimate scene where he is attacked.  We didn’t want to show any of the attacker the use of the handheld camera helps show that it is a person approaching him. This raises more questions as to who the extra person is.


Shot 4.
 
We wanted to get a shot of the bank into the sequence because it is a big part of our story line. This scene work as a flash back and leads into the title of the movie. By desaturating the clip, upping the exposure and adding some blur the scene gets a dreamlike and surreal effect. The removal of the original sound and using a heartbeat gives the viewer a visceral reaction. We would assume that the heartbeat belongs to the character of the scene, a heartbeat is a very personal sound and can only be heard at a time of complete silence or when pressed up against someone’s chest. Also a heartbeat might put Haydn in a bad situation, a heartbeat doesn’t often get used in a cheerful situation.



Shot 5.
The Title sequence had to be carefully chosen to fit in with our film. A high production title sequence like the one in Se7en really wasn’t an option because of the allotted time and our ability to produce such and item. Although Se7en’s titles set a landmark in cinematography and many movies tried to replicate it’s style. We went with something far more basic. It had to stay relevant to the rest of our film. Taking into account our initial credits we kept it all lower case and had it against a plain black background. I think it works well as anything too fancy would have distracted from our film and the tension built would have been lost.   




Shot 6.
The idea behind this shot was to elongate the mystery and enigma behind Haydn’s kidnapping. A Medium Close up of Haydn with the Mystery man behind him. It emphasises that Haydn has no control of his situation. It also establishes the power in the situation. My (Harry) hands grasping his shoulders make him look small. It also reinforces the idea that Haydn Is the “Victim”. He seems to have had something done to him as he can’t speak or see clearly and can’t hold up his own head. This would suggest he has perhaps been knocked out but we don’t know for sure. We now see me as the antagonist. I have imposed threat and therefore raised the tension in the situation.



Shot 7.
 This close up of the antagonists hand shows the frustration and violence he’s capable of. It’s a foresight into what is to come and what to expect from the character. It reinforces his place his place as the more violent antagonist, but as the script progresses we get glimpse that maybe Haydn isn’t completely the victim. This character went to prison and its suggested that Haydn was the cause. It raises the question of who is to blame and heightens the tension. This shot gives a glimpse into my mind. It shows that I am angry and that anger is building up will probably lead to an outburst of some sort.


Shot 8.




 Shot 9.
 
This is the end of the opening. I am now fully established as the Victimiser. Haydn is the victim but there have been a few questions as you would expect in a thriller opening. There is obviously some sort  of a past between these two characters and we’re not 100% sure that Haydn is blameless. Why did I kidnap him? What did he do to me that involved me going to jail? Did I hurt or kill him? The suspense has reached its peek and manifested itself with me attacking Haydn. In this shot I am at my most threatening. The lighting highlights the shadow of my triceps which makes me look stronger and far more controlling. Its common in thrillers for the antagonist to be stronger and scarier. If it were lighted differently it might not look as tense.

Its clear that our media production does follow the classic conventions of a thriller.

 2. How does your media production represent social groups?

There aren’t many social groups covered in this production but it does cover a few categories, such as social class and gender stereotypes.

Gender
Its common and perhaps even stereotypical that people who take part in crimes such as bank robbery are male. Both characters in the opening are male. It has a negative effect as it shows men as the more dangerous and threatening gender when the reality is that females are just as likely to pull of horrific crimes. It puts females in the situation where they are taken less and less seriously but if we were to have put a female into the scene instead of me then the film would have a very different feel. A Female would seem far less threatening. Haydn is your normal working class male. He follows the stereotype of the classic hunter gatherer image. He works until late probably to return to a wife at home who cooks cleans and cares for the house. Harry is casually dressed which might mean he doesn’t work in a formal environment and considering hes got a past in prison he might make money in less legitimate ways. Again this follows the stereotype of me being the ones who commit crime and ear the money.

The camera work between the two characters helps establish the power. It shows the antagonist we used medium shots to show the size difference between the characters which fits in with the classic stereotype that people who commit crimes are big, scary people.  We use more close up shots on Haydn to show the emotion on his face. This gives us more of a connection with him which is normal in scene where a person is being overpowered. 

An example of a film that stereotypes males and females would be Faster. This film starring Dwayne Johnson, as your protagonist looking for revenge over the death of his brother, conforms to the stereotype that men are the people who commit crimes and women dont have much of a part in it. Women in this film all take secondary roles as trophy wives or victims. There are no particulally powerful female characters in this film.  



Social Class

In the clip Haydn is a well dressed person. I would consider him to be the basic guideline of a working man.  The costume helps establish him as a working person. He is smartly dressed and holding a suitcase which would suggest an office job. The antagonist on the other hand wears casual clothes and doesn’t dress up I suits etc. This would probably say that he doesn’t work in a formal environment. 

The setting for the interrogation suggests that Harry chose the area so possibly he knows the area. Its not a nice setting. It’s a run down metal crate normally used for shipping goods. This says that Harry might not be above working class or he was lower class at some point. The lighting in this crate is dingy which emphasises it as a nasty place to be. Combined with the sound of the door, we as the audience know that this isn’t in a nice area. It would possibly be In an old or abandoned ship yard where these containers are common.

3. What kind of media institution might distribute your media product and why?

There are many ways to distribute movies in the modern age. With the power that the internet has more and more movies are distributed online through companies like Netflix and LoveFilm.  Also film makers are starting to see and take advantage of websites like Facebook. This website has millions of members and is a great place to spread the word of your movie

Personally I am a huge lover of the cinema experience. I think that there is nothing that is quite like sitting in a cinema a watching a movie. I would want the movie to be aired on a Wednesday with other smaller budget movies. Friday is when large budget blockbusters are released which our movie wouldn’t be. Also with help of Orange Wednesdays lots of people are starting to go to the cinema on a Wednesday.

A major downside to a cinematic release would be the cost of putting the film onto celluloid. A single celluloid film costs about £1800, so a large multiplex release would cost around £300,000 - £1,440,000. There are alternatives such as arthouse movies which may only be released in 10 venues or a localised release where you only send the movie to cinemas in and are like the south of England before you release it to the whole country. 

I wouldn’t rate our movie as an arthouse movie so I would want to send my movie to the larger cinemas such as Odeon Cinemas. As it’s a small budget movie I would use smaller distribution companies. There are few smaller distributors that would work such as Pathe and Icon. They aren’t a big as Lionsgate or Paramount but they would go well for British Thrillers.



Pathe are well known for there work the Aardman. They distributed movies such as chicken run which was very popular at the time. I think I would go with Icon. They have worked with movies such as Drive and The Killer Inside me so they know about the type of movie we have produced.










 4. Who would be your audience for your final media product?


I am aiming the film at people aged form 15 to 30. The film will predominantly be advertised for men as it is a stereotypical mans film. More often then not man will want to go see an action thriller more then women.


I feel that the film would appeal to the British film market more then the American or Eastern European market. Its  a British thriller, British thrillers aren’t well know for there massive international releases.  Also the term thriller is a very loose therm. There are many forms of thriller from horror thriller to action thriller. Our production is a crime thriller so it will have to appeal to the types of people who like crime thrillers such as The Bank Job.

Thriller Questionnaire.

What is your favorite type of thriller movie ?













 Would you go to the cinema to watch a crime thriller?













 
After asking 100 boys and 100 girls these two questions. Its clear that crime thrillers are no way near the most popular thriller genre. It did show however that teenagers still consider cinemas a good place to watch a movie.


 5. How did you attract/ address you audience?

As such a large number of our demographic a very technologically aware, I thought the use of Facebook would be a good way to address the audience.


Response 1.
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Response 2
 
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I feel that my audience will feel more inclined to go watch the movie if its released on the Wednesday as its common for there to a deal like orange Wednesday. Also by using social networks and other websites for advertisement we relate more with the target demographic. 

By having both of the characters as fairly young males, the target audience will feel more in tune with the film. 

6. What have you learnt about technologies from the process of constructing this product?


 
Because this had to be a good quality film, I have learned a lot during the project:


-I have learned the importance of shot variety. Our initial interrogation scene had little shot variety and it was very boring. The new scene has a good shot variety and better lighting. Its far more interesting to watch and I’m far happier with it.


- To make the video flow, continuity is key. There are a few points in the film where the cuts aren’t particularly clean. There are few jerky points. I have learned to make sure that all points of the movie match up and  that the more takes you do the more chance you have to make a good product.


-This project allowed us to use the expensive, high definition camera. These are good cameras and provide a fantastic picture quality. I’ve learned the technology behind them. Also using them in collaboration with the macs. I also learned how to do different things with the camera, such as shallow depth of field, focus pulling and the basic adjustments such as white balance.


-I got to use a whole variety of new equipment in this project. I got to use the dollies for tracking shots. I got to use the lights to create certain mood.  I got to use sound recorders for things like Foley etc.

7. Looking back over the preliminary task, what do you feel you have learned in the progression from it to the full product?

Since the start of the preliminary I have learned a lot of techniques. Techniques ranging from lighting to camera work to Editing. All of these skills I have picked up and brought into my final piece.

Sony HD Camera

 
I have learned many things to do with camera work. I now know the importance of continuity and how important it is to make sure it flows. I have tried to use as many techniques as I could such as tracking, panning and tilting. All of these techniques have proven important in creating a different mood. The mood is very important in a thriller.  Also I have learned the difference when using the HD and tape cameras. There is a real difference when watching the preliminary on tape and watching the final product in HD.



 

 
Costume and other aspects of Mise en Scene. The whole use of props, setting and costume has been important in our thriller and I now understand why so much money is put into it in the big budget blockbusters. We had to give the audience the impression that Haydn is well off and is a working man. As the beginning has no dialogue at all, the use of costume was important to us. Also the carpark setting allows us to give the idea that he commutes which again suggests he works. I understand how important it is to get these things right in a film.


 

 
Editing. Editing was a big issue for me as its all done on macs when I have a pc. Over the projects I have learned how to user a mac and understand it. Also we use final cut fro for our films which I found to be a very complicated piece of software at first. In the two projects I have learned a few of the short cut key and how to render and cut my videos. I also learned how to use a number of filters that I could put on the video to create different effects. By far the most important technique I learned was cutting up the rushes and making the whole movie flow.









1 comment:

  1. Good effort Harry try and be more specific about your product and how meaning/conventions are created some of your links in q1 are not working either some of its a little descriptive. Can you think of similar films where the cast are mainly male for q2 and how they are presented to the audience? What about your use of sound how does this create meaning for the audience? Why not add some examples of what type of films the distributors you use distribute some links would help here. Q5 Who are your audience why not use the BBFC site for help? 6 needs to be filmed by all means leave a copy of the script and 7 should be 9 frame analysis why not add still from both products and compair how much better this one is and discuss why

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